![]() A highlight is the devastating “The Kiss,” which feels like a distant sequel to Soft Cell’s “Say Hello, Wave Goodbye.” Over the barest hint of a synth, Rose, in a hushed voice, repeats “For the kiss, I would do most anything.” In that line, Rose sums up the album’s theme-a longing for connection that transcends decades, and that defines most of our interactions in the past. All of that is scene-setting for Rose to twist the knife in the lyrics, which are their most cutting to date. That notion is apparent in the music, the way Rose has sandpapered the sonics so they feel like flickers of noise rather than solid sound the way the tape buckles at times, like you’re listening to an old cassette and the way old voicemails from Rose’s grandmother crop up throughout the record, a voice from the past. The Art of Forgetting, a bracing stylistic departure for Caroline Rose, is an album about memories-how we make them, how we erase them, and how they can trick us. For a musician always digging in the crates, it makes total sense that Megarbane would land at Habibi Funk-one of the reissue labels keeping the archives well-stocked. You slammed this right into your 8 track player like it was a tape, and it looked like your 8-track was vomiting a cassette player. The eclectic mix feels like flipping through channels on a lazy afternoon, switching from hazy funk (“Ma Ward”) to spaced-out lounge (“Pale Baleine”) to jazzy, Madlib-style beats (“A Parking Lot by the Sea”) at a moment’s notice. The other type was a little mutant thing that was basically a small cassette player with a power source/sound source shaped like an 8 track attached to it. For Marzipan, he works in a mode he calls “Lebrary,” a twist on Lebanese music that re-imagined through the lens of library music-stock music meant for use in television and film. The prolific producer from Beirut taps into a massive wealth of styles, paying respect to music of all eras from the Middle East while incorporating elements of hip-hop and modern dance music. ![]() Mike McGrath-Bryan Liv.eĬharif Megarbane understands he’s standing on the shoulders of giants. Six long-form pieces take the familiar, delicate form of the instrument, and cast it to the center of lush and layered arrangements, inviting the listener to stay awhile and consider the transient nature of things-from the album’s namesake Croatian hotel and the times spent therein, to smartphones being chucked in a blender for passing social-media chuckles, with help from guest contributors like The Cure’s Lol Tolhurst, and Slowdive’s Rachel Goswell. Would you like to tell us about a lower price Kiss: Destroyer 8 track tape. ASIN : B00H6P1TAM : Date First Available : Decem: Feedback. While not strictly dealing in post-crisis reflection, harpist Mary Lattimore wrote the songs on Goodbye, Hotel Arkada over the course of two transformative years, dealing with the ever-changing nature of existence. 4.8 Ounces : Brand Name Casablanca : Part Number 5510-8TT-71 : Additional Information. Pre-order buy pre-order buy you own this wishlist in wishlist go to album go to track go to album go to trackĢ023 was always going to be a strange year, as further remnants of lives utterly changed by wider circumstances grew distant in the rear-view mirror.
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